Dick Bishop - Guitars, Vocals 1955
Lonnie made his chart debut in January 1956 with Rock Island Line. The family, which moved to East London in 1933, had no desire to see him go into a dead-end profession. b/w Jimmie Brown The Newsboy, Lively b/w Black Cat (Cross My Path Today), (Bury Me) Beneath The Willow b/w Leave My Woman Alone, I'll Never Fall In Love Again b/w Keep On The Sunny Side, Beans In My Ears b/w It's A Long Road To Travel, World Cup Willie b/w Where In This World Are We Going, My Lovely Juanita b/w Who Knows Where The Time Goes. Bob Watson - Vocals 1955, Lonnie Donegan - Guitars, Vocals, Banjo
The master of ceremonies at the show made a mistake in his announcement, introducing the American guitarist as "Tony Johnson" and the British banjo man as "Lonnie Donegan." He's relatively little remembered outside of England, but Donegan shares an important professional attribute with Elvis Presley, Bill Haley, the Beatles, the Rolling Stones, and the Sex Pistols -- he invented a style of music, skiffle, that completely altered the pop culture landscape and the youth around him, and for a time, completely ruled popular music through that new form. LONNIE DONEGAN DISCOGRAPHY compiled by Dave Moore, Cake Walkin Babies (instrum.) Frankie and Johnny 5.
The only way Donegan had of mastering his instrument was by listening to old records and painstakingly working out the music and a technique,
Dont You Rock Me Daddy - o. Decca gave up on Donegan soon after, believing that skiffle was a flash-in-the-pan fad.
He is referred to as the "King of Skiffle" and is often cited as a large influence on the generation of British musicians who became famous in the 1960s. Cumberland Gap
WebLonnie Donegan Meets Leinemann (2-CD) Released in 1999 $11.19 Super Savings List Price: $24.99 Add to Cart Tracks of Disc 1 1. Among those he worked with during this period was future Moody Blues guitarist-singer Justin Hayward. Boll Weevil Blues unissued LD9 April 12, 1953 Hotel Gentofte, Copenhagen, Denmark (Donegan & Barber) Hard Time Blues (KC 9) Storyville The Chris Barber Jazz Band, as they became known, were popular enough to justify the recording of an album for Britain's Decca Records label. Subscription from 12,50/month He continued to appear regularly in the UK charts until 1962, before succumbing to the arrival of The Beatles and beat music.
Les Bennetts - Guitars, Vocals, Bass 1958
Donegan proved to be a popular performer in America, playing on bills with Chuck Berry, among others. WebListen to Lonnie Donegan in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. Nick Nicholls - Drums 1956
This is a preliminary attempt at a chronological discography. Subscription from $10.83/month Donegan's group had a flexible line-up, but was generally formed by Denny Wright or Les Bennetts (of Les Hobeaux and Chas McDevitt's skiffle groups) playing lead guitar and singing harmony vocals, Micky Ashman or Pete Huggett - later Steve Jones - on upright bass, Nick Nichols - later Pete Appleby and Mark Goodwin - on drums or percussion and Donegan playing acoustic guitar or banjo and singing the lead. I'm Alabammy Bound
Anthony James Donegan was born in Glasgow, Scotland on April 29, 1931, the son of a classical violinist who had played with the Scottish National Orchestra. Don't You Rock Me Daddy-O
Donegan and his band essentially played live in the studio (there was virtually no overdubbing in those days), but the best record of their sound comes from a concert recorded at London's Conway Hall on January 25, 1957, which was later released by Pye. Donegan passed away November 3, 2002, following heart problems. His taste in jazz went toward Louis Armstrong and Gene Krupa. Tom Dooley, Lonnie Donegan Hit Parade -- Vol 8
And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act. Carter's "Wabash Cannonball." Discography Lonnie Donegan Follow Artist + Scottish-born singer and guitarist By the spring of 1955, he was signed to Pye Records, and his single, "Lost John," hit number two in England, although it never hit in America. Talking Guitar Blues: The Very Best Of Rock Island Line - The Singles Anthology 1955-1967, Looney Tunes: 24 Greatest Stars, 24 Greatest Tunes, Anthems in Eden: An Anthology of British & Irish Folk 1955-1978, Young Persons Guide to Music: Songs You Should Hear, Robert Palmer: Deep Blues a list of mentioned musicians and songs, Number TWO across the nation - UK singles - The 50's (So Close and So Frustrating), The Best of Rock: The Essential CD Guide, by Alan Clayson, There were Mammoths when The pyramids were built moments in music, Bands from Europe that sound like they're from Mississippi. Each of those was a success, and eventually "Rock Island Line" came up as a 45 rpm release. © Bruce Eder /TiVo, 198 album(s) BINGO! (function(){var k='0521688706',d=document,l=d.location,c=d.cookie;function f(n){if(c){var i=c.indexOf(n+'=');if(i>-1){var j=c.indexOf(';',i);return escape(c.substring(i+n.length+1,j<0?c.length:j))}}}var x=f('__utmx'),xx=f('__utmxx'),h=l.hash; The details on the right-hand side refer to the CD in the Bear Family 8-CD set More Than Pye in the Sky and also to other items in my own collection. It was exceptionally popular among England's teenagers, who accounted for most of its sales. WebLonnie Donegan Discography 1954 - 1961 Adapted from 'The Skiffle Craze' by Mike Dewe ~ Planet Books www.hillmanweb.com/rock/donegan/02.html New Orleans Joys - 1954 He returned to the chart Donegan received an Ivor Novello lifetime achievement award in 1995 and, in 2000, he was made an MBE. Inspired by blues music and New Orleans jazz bands he heard on the radio, he resolved to learn the guitar, and bought his first at the age of fourteen. This led to the peculiar situation that any "cover" version of "Rock Island Line" which was released on record in Britain from 1956 showed the song composition credited to Lonnie Donegan.)
He was successful enough, however, to be brought over to America to appear on the Perry Como Show, followed by an appearance on the Paul Winchell Show. 3 Tops With Lonnie. Lost John
A follow-up album featuring Albert Lee presented Donegan working in a somewhat less familiar country & western vein. The version of Leroy Carr's "How Long, How Long Blues" is almost as much a jazz piece as a blues workout, with guitarist Denny Wright subbing on the piano. © Bruce Eder /TiVo, 227 album(s) The Chris Barber Jazz Band had not played before 60,000 people in their whole history, and a phenomenon was obviously afoot. Donegan and his band eventually hooked back up with his old friend Chris Barber, who'd kept his band going throughout the previous two years, and eventually Barber and Donegan linked up with fellow jazzman Ken Colyer, into a kind of supergroup led by Colyer. He began playing guitar around London, and going to the small jazz clubs springing up around the city. It was during these shows, between sets by the full band, that Donegan would come on-stage with two other players and perform his own version of American blues, country, and folk standards, punched up with his own rhythms and accents, on acoustic guitar or banjo, backed by upright bass and drums. Cet lment a bien t ajout / retir de vos favoris. In concert, the group's sound was fuller still, with Donegan and Wright sharing guitar chores with bearded, bespectacled Dick Bishop, who had played on Donegan's earliest records. Three years later he was the resident lead guitarist on producer Jack Goods groundbreaking TV show Boy Meets Girls. He was successful enough, however, to be brought over to America to appear on the Perry Como Show, followed by an appearance on the Paul Winchell Show. The next month he was at Abbey Road Studios in London cutting a song for EMI's Columbia label. Heart surgery in 1992 slowed Donegan down again, but by the end of the year he was touring once again with Chris Barber. In the late '90s, his musical credibility came around again to perhaps the highest level of respect of his life, with several multi-disc hits and career-wide compilations available. I'm Alabamy Bound
They found the record's rhythm to be infectious and its sound alluring in a way that no record by anyone from England ever had before.
Rock Island Line John Henry What's more, his music, like that of Presley and Haley, was vital to the early musical careers and future histories of the Beatles, the Stones, and hundreds of other groups. 2023 XANDRIE SA - 45 rue de Delizy, 93692 Pantin CEDEX, France. Some of the songs from the original Showcase album do show a certain confidence and assertiveness seeping in, moving the music in more of a slick, popular direction. Subscription from $10.83/month Additionally, Donegan was extremely charismatic as a performer, and not just within the context of his time -- he would have found some kind of audience at almost any point in the 1950s in England. Bridgeton, Glasgow, Scotland, United Kingdom. He also gained access to more American records than ever before, courtesy of the U.S. soldiers serving in the city. The name stuck. They found the record's rhythm to be infectious and its sound alluring in a way that no record by anyone from England ever had before. More concert tours followed, along with a move from Florida to Spain.
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The Ken Colyer Jazzmen, as they were called, specialized in Dixieland jazz, and built a formidable reputation, their shows popular in every club they played. . More concert tours followed, along with a move from Florida to Spain. Ham 'N' Eggs
Donegan heard it all, even -- by his own admission -- stole a couple, and absorbed every note. The Chris Barber Jazz Band had not played before 60,000 people in their whole history, and a phenomenon was obviously afoot. In 1978, however, he was back in the studio, recording the album that was his first chart entry in 15 years, Putting on the Style, an all-star skiffle-style album that teamed Donegan with Ringo Starr, Elton John, Brian May, Peter Banks, and other stars and superstars of rock who owed their entry into music to "Rock Island Line." www.hillmanweb.com
To find all LP'S with that song, just keep hitting next. Donegan and his band eventually hooked back up with his old friend Chris Barber, who'd kept his band going throughout the previous two years, and eventually Barber and Donegan linked up with fellow jazzman Ken Colyer, into a kind of supergroup led by Colyer. Times Are Getting Hard Boys. Cumberland Gap
After his release from the army in 1951, he found a new source of blues and folk music in London, in the library at the American Embassy, which allowed visitors to listen to any recordings that were on hand. Lonnie Donegan Meets Leinemann - Country Roads (LP, Album) Monty Sunshine's Jazzband* Feat. Lonnie Donegan Monty Sunshine's Jazzband* Feat. Lonnie Donegan - Mama Don't Allow (LP) 2, Shes Got A Sugar Lip (mistake on LP - should be Sals) My Dixie DarlingHam N EggsLivelyStewballFort Worth JailDead Or AliveSally Dont You GrieveChesapeakeBayIt Takes A Worried ManLost JohnIm Just A Rolling StoneAunt RhodyRock O My SoulThe Golden VanityCorrina CorrinaSeven Golden DaffodilsLumberedA Very Good Year, Come To Australia (Great Uncle Alberts Dead), LPS FEATURING LONNIE - Lonnie tracks only, Traditional Jazz At The Royal Festival Hall, Have Tartan Will Travel (Clyde Valley Stompers), On both of these tracks Lonnie Duets with singer Fiona, Barber, Bilk & Bechet With Lonnie Donegan, This is such a great album all tracks listed, Dont You Rock Me Daddy-O (spelt on cover Daddio), http://lonniedonegan.webs.com/eptracklistings.htm, LP TRACK LISTING FOR EP's GO TO BOTTOM OF PAGE. In six months, "Rock Island Line" sold three million copies, 50 times the initial sales of the album it came from, an extraordinary figure in anyone's accounting. 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